Posts Tagged ‘Cyborg’

The movie formerly know as Star Warfare Rangers and the Cyborg Witch of Endor, now Interstellar Civil War (that Pyun fellow has a way with words) is finally nearing it’s release date.

Despite his ongoing health issues over the last couple of years Albert Pyun managed to finish his 54th film, a crazy mix of Star Wars, Dune, Cyborg, Mad Max and his trademark Kickboxing action with a help of excellent cinematographer Michael Su and a score by his long time collaborator Tony Rippareti. I’ll always have a soft spot for Pyun trademark Cyborg/ Kickboxing action and I hope this could be a bit of return to form of our old favorite.

 

 It stars Brad Thornton, Ellie Church, Kelsey Carlisle, Paul Gunn, Clare Hoak, Tommie Vegas, Jennie Carroll, Ashley Campbell, Nathan Ferrier, Nick Rush, Fulvia Santoni and Cat Cakmis as Leah C6 and you can enjoy the new extended trailer right here!

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After nearly retiring , and still  fighting  serious illness B (to Z) movie kingpin Albert Pyun found the strength to finish off his magnum opus (semi- sequel to both of his early career cyber- punk outings) CYBORG NEMESIS.

Final piece of the puzzle is completed as he cast (still unnamed) young actress that will open and close the movie. Final scenes will be shot in Ryolite (Nevada) and will officially signal the wrap of the lengthy shoot of CYBORG NEMESIS. Big part of editing is already done with sound designer Michael McCarty still working hard as we speak. Score will be handled by Pyun’s long time collaborator Tony Riparetti (Mean Guns, Postmortem).

With a cast of old favorites and new talent: Sasha Mitchell, Dru- Anne Perry, Joei Fulco, Joseph Cannon, Daniel Faust, Jessica Delgado and Kim Coture this films actualy has a potential to be not a swan song but a return to form of sorts for Pyun who spend last couple of years working on ultra- small productions, making unofficial sequels to films (of others as well as himself). Visibly enthusiastic he called this his firs balls out Sci Fi movie- in outer space. So, even thou he is rehashing the old themes here- there seem to be a silver lining as this movie shows a more focused Pyun who surrounded himself with a bigger, more professional crew to help him realize his vision.

Cyborg

P.S. He still promises a few surprises in the final movie (Gruner cameo perhaps?), so we’ll have to wait and see what future brings. Besides cyborgs and space stations and that kind of stuff.

One of our most reviewed directors on our blog is by far Mr. Albert Pyun (Cyborg, Nemesis, Sword and the Sorcerer…), so naturally we wanted to have a few words with him, find out a thing or two about the classics and also see what’s he been up to these days. So, here we go!

01. I understand that you started your career working with the great Toshiro Mifune and legendary Akira Kurosawa.
What was the whole Japanese experience like and what is the most important thing you learned while working there?

I learned the value of having a hardcore work ethic and preparation. The thing I loved most was watching such a high level of talent and artistry and how they applied their skills to the smallest detail. I also enjoyed the dedication everyone, including Mr. Mifune, had to doing their best no matter the challenges.

02. It can be said that you were slightly ahead of the curve with your Sword and the Sorcerer which came out almost simultaneously with Conan The Barbarian and started a trend of Barbarian movies which lasted some years. I would love to hear about your main inspirations for The Sword and Sorcerer?

My main inspirations for The Sword and the Sorcerer were Richard Lester’s The Three Musketeers, John Milius’ The Wind and the Lion and The Baby Cart samurai series.

03. One of the of the signatures of your involvement with the film is often a combination of  kickboxing and hybrid martial arts with a post- apocalyptic backdrop. I am interested to hear how you developed that unique approach to action/adventure movies.

I know, but what’s odd is I didn’t being with great interest in martial arts or with post apocalyptic stories. I was drawn to martial arts as a lower cost replacement of firearms in my films. I was drawn to Post apocalyptic settings because they were easier to create on a limited budget. And there were no rules on how it had to look. I actually feel my current film “ROAD TO HELL” is one of the first films where I got the setting I was after without compromising for budget.

04. I find that most of your movies have a kinda comic-book quality (of course you also you directed one of the early Marvel adaptations). Did you grow up as a comic- book aficionado and if so what were/are some of  your favorites?

Yes, I grew up on all the DC and Marvel comics along with the Japanese Manga books and Tintin as well because I lived i foreign countries as a child so I was exposed to many different types of comics and books.

05.What is the favorite actor/actors that you worked with and why? And is there some actor whose work you greatly admire but you haven’t gotten the chance of working with?

I’ve really enjoyed working with all the actors for the most part.  I never really had any problems there. My favorites were likely Scott Paulin and Norbert Weisser. Both understand my sensibilities. Sasha Mitchell, Michael Pare’ and Christopher Lambert were great as well. I liked them as people immensely. The most colorful was probably Burt Reynolds and Dennis Hopper. Loved both and Ice-T as well. Jean-Claude and Steven Seagal were interesting because they aren’t actors so much as archetypes. So that was a challenge. I really liked them all as they always brought great ideas and all were very easy to work with.

06. You worked on films of many, many different genres (SF, Fantasy, Horror, Contemporary Action even Western),  do you have a favorite movie genre that you enjoy more than the others?

I love musicals most of all and sort of experimental films where I can play with form and structure.

07. I believe that you are hard at work at a Cyborg sequel/ prequel so it would be interesting to hear something about the basic plot, actors involved and of course about general tone and the esthetics of the film.

I’m just trying to make something different. Something a little experimental and surreal. And, yes, like an opera. A very pessimistic film.

Thank you and all the best!